![canadian male gay videos canadian male gay videos](https://i.ytimg.com/vi/H0c2ErVOmog/maxresdefault.jpg)
A violent con offers to look after him, but expects something in return. But the real story focuses on new inmate Smitty (Wendell Burton), a pretty boy who immediately attracts the attention of the sex-starved prisoners, who rape inmates while the guards look away. Fortune and Men’s Eyes only just qualifies as ‘great’ – it’s a bit of a mess, but fascinating nonetheless, with a love-it-or-hate-it performance (I love it) from Michael Greer as Queenie, a bitter, witty camp man who is regarded affectionately by fellow prisoners on his cell block.
#Canadian male gay videos series#
Fortune and Men’s Eyes (1971)īefore Scum (1979) and the TV series Oz (1997-2003), homosexual relationships in prisons and gay rape was explored in this near-forgotten feature. David Cronenberg, whose friends appeared in the film, saw it as a young man and has since stated it inspired him to make movies. Director David Secter was just 22 when he made the film, and while the acting is sometimes awkward, its sweet scenes of youthful happiness, as the men gambol in the snow like wonder-struck kids, is very endearing.
![canadian male gay videos canadian male gay videos](https://media-cldnry.s-nbcnews.com/image/upload/t_fit-1500w,f_auto,q_auto:best/newscms/2018_09/2342196/180226_kinsman.jpg)
The homosexual subtext quietly simmers below the surface, culminating in a violent confrontation between the two men. When Doug humiliates Peter at a formal dinner, it looks like they will become enemies, but Doug grows fond of Peter, and becomes jealous when the latter starts seeing a girl and has less time for his friend. Eliot poem The Wasteland, is a touching, ultra low-budget drama about the close friendship between Peter, an effete young freshman (Henry Tarvainen) and Doug, a laddish senior (John Labow), which develops when the two are studying at the University of Toronto. The first English-language Canadian film to play at Cannes, Winter Kept Us Warm, taking its name from the T.S. Here are 10 of the country’s finest LGBTQ+ offerings. With Xavier Dolan getting more and more critical acclaim with each film, Canada continues to be at the forefront of brilliant queer cinema today.
#Canadian male gay videos serial#
Cheap and cheerful lesbian comedies regularly appear in queer festivals, with the loveable Better than Chocolate (1999) still a favourite, while the witty Portrait of a Serial Monogamist (2015) proved a hit at BFI Flare 2015.Ĭanadian directors just can’t stay away from the Festival – Thom Fitzgerald, director of The Hanging Garden (1998) and Cloudburst (2003), has opened it a record-breaking three times. It’s not L, G, B or T, but the female necrophile in Lynne Stopkewich fantastic Kissed (1996) gave audiences another tale of romantic love that went way beyond social norms.
![canadian male gay videos canadian male gay videos](https://static.independent.co.uk/s3fs-public/thumbnails/image/2018/11/27/13/shawn-mendes.jpg)
John Greyson is a hero of Canadian cinema – Zero Patience (1993), his riotous AIDS musical extravaganza, very narrowly missed the list, as did his glorious gay tragedy Lilies (1996). On a lighter note, in the much-loved Outrageous! (1977), Craig Russell tears the screen apart with his amazing drag recreations of stars such a Mae West and Ethel Merman.Īfter the wave of New Queer Cinema in the early 1990s, still more confrontational characters appeared in Canadian queer cinema.
![canadian male gay videos canadian male gay videos](https://i.pinimg.com/564x/30/cc/4d/30cc4de2b0a19cf3c2bea80502c37c61--skater-guys-neck-tattoos.jpg)
The drag queens in the misanthropic Once upon a Time in the East (1974) are a mean bunch who publicly humiliate one of their own, while one of the men in Montreal Main (1974) develops feelings for a 12-year-old boy. Jutra himself was gay, and would go on to make one of the masterpieces of Canadian cinema, Mon oncle Antoine (1971).ĭirectors became more daring in their representations of gay men in the 1970s. “Est-ce que tu aimes les garçons?” Asked by the singer to her distant male lover in Claude Jutra’s classic À tout prendre (1963), a fresh and vital film with all the cocky swagger of the French New Wave, this line is one of the first references to homosexuality in Canadian cinema and leads to a crisis of self in the male lead. Widely regarded as one of the most gay-friendly countries in the world, being the fourth country to legalise gay marriage and with thriving LGBT communities in Montreal, Ottawa, Toronto and Vancouver, it comes as no surprise that Canada has made some of the most exciting queer cinema in the world, and continues to contribute wonderful features and shorts to the BFI Flare: London LGBT Film Festival. BFI Flare: London LGBT Film Festival runs 21-31 March 2019Ĭanadian features in the 2019 programme include: